If you're new here, you may want to subscribe to my RSS feed or get my latest posts directly in your mailbox. Thanks for coming to the Foo!
About a year ago I first heard about the Red Camera Project. A group of dedicated people were working on making a beyond-high-def, affordable cine-style digital camera. At that time it just sounded too unreal. But since they have had a stand at the NAB, the project has gained a lot of momentum.
Personally, I took the project way more seriously when I found out that Graeme Nattress (maker of the famous filter packages for Final Cut Pro) was involved.
Some more information has been released, and they are planning on shipping the first cameras early next year. If only half of the specs make it to the finished product, it will be one amazing camera. Spotting more than 4k worth of resolution (compare this with standard definition’s tv of about 0.5k and the new hi-def of about 1k, and this by itself becomes a killer cam) at a price of $17.500, plus a f300/t2.8 lens for $5.000, you should get a working camera package for the price of a high-end DVcam system.
But the camera offers more than just resolution power. The camera will offer frame speeds of up to 60 fps (and down to 1 fps), and even higher speeds when lowering the resolution. Speaking of lowering, it will be possible to either downconvert from the full chip size (which has the same size as an 35mm gate), or to use only part of the chip. It will shoot in a variable number of formats from uncompressed RAW down to, yes, DV.
I am sure looking to their release of the first working models towards the end of this year. Might just be the successor to our trusty (if 4:2:0) DSR-570 DVcam.

Comments