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	<title>modifoo &#187; cinematography</title>
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	<link>http://modifoo.com</link>
	<description>film &#124; technology &#124; life</description>
	<pubDate>Thu, 20 Nov 2008 13:52:29 +0000</pubDate>
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		<title>What&#8217;s a T-Stop, anyway?</title>
		<link>http://modifoo.com/2007/11/24/whats-a-t-stop-anyway.html</link>
		<comments>http://modifoo.com/2007/11/24/whats-a-t-stop-anyway.html#comments</comments>
		<pubDate>Sat, 24 Nov 2007 11:17:40 +0000</pubDate>
		<dc:creator>Martin</dc:creator>
		
		<category><![CDATA[Camera &amp; Eye]]></category>

		<category><![CDATA[Film]]></category>

		<category><![CDATA[camera]]></category>

		<category><![CDATA[cinematography]]></category>

		<category><![CDATA[exposure]]></category>

		<category><![CDATA[f-stop]]></category>

		<category><![CDATA[lens]]></category>

		<category><![CDATA[lenses]]></category>

		<category><![CDATA[optical]]></category>

		<category><![CDATA[optics]]></category>

		<category><![CDATA[photography]]></category>

		<category><![CDATA[t-stop]]></category>

		<category><![CDATA[theory]]></category>

		<guid isPermaLink="false">http://modifoo.com/2007/11/24/whats-a-t-stop-anyway.html</guid>
		<description><![CDATA[Anyone familiar with photography knows about f-stops. Calculated as Focal Length divided by Diameter (of the front lens element). The smaller the value of the f-stop, the more light passes the lens, the shorter exposure time necessary, the narrower the depth of field, the lower ASA/ISO rating necessary.
Typical f-stop values are f/1.4, f/2, f/2.8, f/4, [...]]]></description>
			<content:encoded><![CDATA[<p>Anyone familiar with photography knows about f-stops. Calculated as <em>Focal Length divided by Diameter (of the front lens element)</em>. The smaller the value of the <span style="font-style: italic; font-family: Georgia,serif">f</span>-stop, the more light passes the lens, the shorter exposure time necessary, the narrower the <a href="http://en.wikipedia.org/wiki/Depth_of_field">depth of field</a>, the lower <a href="http://en.wikipedia.org/wiki/Film_speed">ASA/ISO</a> rating necessary.</p>
<p>Typical <span style="font-style: italic; font-family: Georgia,serif">f</span>-stop values are <span style="font-style: italic; font-family: Georgia,serif"></span><span style="font-style: italic; font-family: Georgia,serif">f/</span>1.4, <span style="font-style: italic; font-family: Georgia,serif">f/</span>2, <span style="font-style: italic; font-family: Georgia,serif">f/</span>2.8, <span style="font-style: italic; font-family: Georgia,serif">f/</span>4, <span style="font-style: italic; font-family: Georgia,serif">f/</span>5.6, <span style="font-style: italic; font-family: Georgia,serif">f/</span>8, <span style="font-style: italic; font-family: Georgia,serif">f/</span>11, <span style="font-style: italic; font-family: Georgia,serif">f/</span>16, <span style="font-style: italic; font-family: Georgia,serif">f/</span>22 and <span style="font-style: italic; font-family: Georgia,serif">f/</span>32, but there are lenses with <span style="font-style: italic; font-family: Georgia,serif">f</span>-stops as low as 1 and as high as 128. With the arrival of automatic exoposure meters, fractional <span style="font-style: italic; font-family: Georgia,serif">f</span>-stops have also become the norm.</p>
<h3>T-Stop</h3>
<p>When you start using professional film lenses, you will come across the phrase T-stop. While the <span style="font-style: italic; font-family: Georgia,serif">f</span>-stop is a mathematically derived value, the T-stop is a calibrated value. Since lenses have optical elements, and each of these elements blocks a (tiny) amount of light, the actual amount of light coming through a lens is always lower than the <span style="font-style: italic; font-family: Georgia,serif">f</span>-stop value suggests.</p>
<p>Therefore most cine lenses are individually calibrated to give the actual amount of light transmitted, the T-stop (T standing for Transmission.) T-stops are always (slightly) higher than f-stops.</p>
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		</item>
		<item>
		<title>500 years of art in under 3 minutes</title>
		<link>http://modifoo.com/2007/11/08/500-years-of-art-in-under-3-minutes.html</link>
		<comments>http://modifoo.com/2007/11/08/500-years-of-art-in-under-3-minutes.html#comments</comments>
		<pubDate>Thu, 08 Nov 2007 01:30:49 +0000</pubDate>
		<dc:creator>Martin</dc:creator>
		
		<category><![CDATA[Life]]></category>

		<category><![CDATA[art]]></category>

		<category><![CDATA[camerawork]]></category>

		<category><![CDATA[cinematography]]></category>

		<category><![CDATA[dp]]></category>

		<category><![CDATA[evolution]]></category>

		<category><![CDATA[future]]></category>

		<category><![CDATA[history]]></category>

		<category><![CDATA[inspiration]]></category>

		<category><![CDATA[morph]]></category>

		<category><![CDATA[morphing]]></category>

		<category><![CDATA[old masters]]></category>

		<category><![CDATA[painting]]></category>

		<category><![CDATA[youtube]]></category>

		<guid isPermaLink="false">http://modifoo.com/2007/11/08/500-years-of-art-in-under-3-minutes.html</guid>
		<description><![CDATA[Art, just like life, has always been evolving. New tools arrive, adding to the possible ways of expression. Looking at a video that compresses 500 years of painting female portraits into 3 minutes, and knowing that cinematography is a mere 100 years old, I am excited about the future.
Related postsSurfFoo for January 28thDance film by [...]]]></description>
			<content:encoded><![CDATA[<p>Art, just like life, has always been evolving. New tools arrive, adding to the possible ways of expression. Looking at a video that compresses 500 years of painting female portraits into 3 minutes, and knowing that cinematography is a mere 100 years old, I am excited about the future.</p>
<a href="http://modifoo.com/2007/11/08/500-years-of-art-in-under-3-minutes.html"><em>Click here to view the embedded video.</em></a>
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